National Geographic explains how to photograph strangers

National Geographic explains how to photograph strangers

Are you shy or rude when it comes to taking pictures of strangers. National Geographic photographer Dan Westergen explains what to do.

Full story at National Geographic.

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Photo credit: Dan Westergren


22 Comments

  1. Great reading and so true, but also I've found that talking to strangers I photograph to be as fulfilling or close to as taking the photo. Everyone has stories to share and when you speak to a subject you learn as everyone lives a different life.

  2. I once looked up just in time to see a guy walking towards me quickly take a snap while walking through town. He very quickly put his camera down and started looking around like, "hey, what was that flash?" I didn't mind. Kinda flattering really.

  3. had a conversation the other night on here with some folks about this very subject. it was concerning peoples rights in public places, as to being photographed. one young fellow seemed to think he could just take peoples pictures as he saw fit without any interaction other than him wanting to take the pic. he argued that "no one owns photons" and he could shoot pictures freely as he chose. i merely tried to explain that as a photographer he would always get better results and less resistance if he used a bit of courtesy or manners when taking pictures of folks in public. but i don't think it really sank in. and he didn't seem to think people had a right to be upset if he took thier photo without thier consent. my point to him was that some folks may only voice thier objections, where others may be willing to physically backup thier objections. the guy had a terrible attitude for someone wishing to be a good photographer, an will surely get his equipment and possibly himself injured or broken in the proccess. as i taught my children manners will get you farther in life than rudeness and arrogance. especially when dealing with strangers. not to mention what was said in the article about actually interacting with your subject. it changes everything.

  4. Put your camera up and apologize for nearly crashing them as they were nattering and looking in the other direction, have a laugh with them about it and forget the architecture you were after as a photograph when they suddenly appeared in the scene doorway. That way you make long term good friends and your enemies are confounded. It is never worth it just for a picture you can attain better around the next corner. Most of my good pictures have been superseded except 3 and that means 27,000 are just mediocre according to my standards of:- better photography is enacted by other people.

  5. Put your camera up and apologize for nearly crashing them as they were nattering and looking in the other direction, have a laugh with them about it and forget the architecture you were after as a photograph when they suddenly appeared in the scene doorway. That way you make long term good friends and your enemies are confounded. It is never worth it just for a picture you can attain better around the next corner. Most of my good pictures have been superseded except 3 and that means 27,000 are just mediocre according to my standards of:- better photography is enacted by other people.

  6. Hi Michael. I'm quite new to Google, so am assuming your response was
    connected to my comment on Guy's photograph! If it was. thank you for your
    response – I'm also a very novice photographer! I shall certainly bear your
    advice in mind. Many thanks.

  7. Hi Michael. I'm quite new to Google, so am assuming your response was
    connected to my comment on Guy's photograph! If it was. thank you for your
    response – I'm also a very novice photographer! I shall certainly bear your
    advice in mind. Many thanks.

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